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How To Be a Great Progressive Rock Reviewer
In 10 Easy Steps
Copyright 1995 Daniel J. Barrett
Reviewing progressive rock albums can be simple. Are you
tired of agonizing over the right words to use? Confused about
your subject matter? Or are you just a lazy pig? Then use
the following tips, and prog rockers everywhere will believe
your every word. Trust me. Each tip is followed by an example
so you can see exactly how it's done.
(1) In every review, you MUST praise the Mellotron.
Always describe it using the word "wash."
"Gentile Goyim's keyboardist, Kerry Mayonnaise,
treats the listener to spectacular, warm washes of everybody's
favorite, the Mellotron."
FOR BONUS POINTS, also mention the Hammond B-3,
and imply violence.
"Greg Palmer's raw, two-fisted Hammond work pierces
the listener's eardrums with sonic knives."
EXTRA BONUS POINTS if you mention either of
these instruments, and they don't actually appear in the music.
"On the road, King Creampuff's keyboard setup consists
of grand piano, harpsichord, and several analog synths, but
strangely, no Mellotron or Hammond B-3."
(2) Any band that uses cello automatically gets a
rave review. For bonus points, use the word "haunting."
"As the music fades, a haunting solo cello appears
out of nowhere, accompanied by a trio of Mellotrons, washing
away."
Subtract ten points if you compare the music
to "Eleanor Rigby."
(3) If the music has flute in it, compare it to Jethro
Tull. It doesn't matter that the music is really death metal,
chanting monks, or atonal birdsong: YOU MUST MENTION TULL.
For extra points, mention Camel too.
"Paraan's music features Hyperia Gomez on flute,
inviting comparison to Jethro Tull or Camel, even though the
flute's main use is as a handy mallet to bang several large
gongs."
(4) You don't have to bother describing the music.
Just list the instruments and let the reader imagine the rest.
"From out of New Zealand comes Genghis Ka-Ka, one
of the finest prog bands I've ever heard. If you are a fan
of acoustic guitar, haunting cello, and explosive, annihilating
Hammond B-3, you MUST check out this album."
(5) Mention the length of at least one song. Extra
points if you call it an "opus."
"Side 2 of the album is completely taken up by 'Ode
to Bowser', a 22-minute magnum opus based on the theme from
'My Dog Has Fleas.'"
(6) Casually mention the name of an extremely obscure
band that one of the musicians used to play in, making your
reader feel REALLY stupid or disloyal for not knowing it.
"... featuring Sergio Blammobarpher, whom fans will
no doubt recall as the charismatic ex-triangle player from
ubiquitous Icelandic proggers Hund Extinctski Thirstifollicle."
THE CUNEIFORM COROLLARY: put completely obscure
band names in parentheses for extra points.
"Rounding out the group's sound is Bridgid Kirsch
(Dootwhapper, B'nai Gwelzh) on freshly washed Mellotron."
(7) The Syn-Phonic Rule: Praise every album by calling
it the "best" example of a totally contrived category. Don't
forget the exclamation points.
* Museo Rubenstein, PASTAFAZOOL ($18). Possibly
the ultimate Eskimo bassoon band of all time!!!!
(8) If a progressive album features very long, drawn-out,
incredibly repetitive, boring instrumentals, call it "space
music."
"Space rockers Mimsy Borogoves specialize in atmospheric
drones that last upwards of four hours before switching notes."
(9) Use abbreviations known only to seasoned proggers.
"Zyzzyva's music is a thrilling blend of PFM, HTM,
RIO, TNR, ZNR, and PDQ Bach."
(10) Every keyboard/bass/drums trio MUST be compared
to ELP.
Every quiet, symphonic prog album MUST be compared
to PER UN AMICO.
All raw, loud music MUST be compared to King
Crimson's RED.
All counterpoint MUST be compared to Gentle Giant.
Bonus points if it sounds nothing like Gentle Giant.
Every "old Genesis style" band MUST be compared
to Marillion, not Genesis.
Every male vocalist with a high voice MUST be
compared to Jon Anderson.
Every female vocalist, regardless of range or
style, MUST be compared to Annie Haslam.
Every band that uses sudden, unpredictable tempo
and time signature changes MUST be compared to Barry Manilow.
"Angled Guard, Sweden's newest prog sensation, combines
the beauty of PER UN AMICO with the rawness of RED, producing
a progressive, symphonic extravaganza that could only have
come from Marillion. Lead singers Jon Haslam and Annie Anderson
are pictured on the album cover, inserting twin flutes up
Barry Manilow's nose... taking the instrument far beyond anything
Camel and Tull ever did."
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